从2008.9.7--2008.10.12 | Left Side of Time Axis
裝置 / 2008
Installation / 2008
DVD、書、口紅、香水、蜂蜜等用品，油漆、電鋸、電鑽、剪刀等工具。在進門口處懸掛該房間鑰匙，觀者在展覽期間，
可取鑰匙進入該空間，在這段時間內，觀者可在房間內做任何事情，休息或對房間做出改變等，房間內無任何監視設備。
從2008.9.7開始到2008.10.12結束後，拍攝一張房間的照片，紀錄下房間的改變。
當觀者拿著鑰匙進入一個從未到過的房間的時候，看到、感受到前面的人留下的氣息和痕跡，有闖入別人內心的感覺。
房間承載著人生活中最隱秘的書寫。人能改變已存在的，同時也能留下新的痕跡。所有“痕跡”必定會“隱”去，
我們身處的“世界”就像一個大“本子”，所有的“書寫”都重疊到一起。後寫的把以前寫的“劃掉”、
“刪掉”——掩蓋了起來了。
從進入這私密的空間的一刻，這個“現在”就並非單純的“現在”它同時也是“過去”和“未來”。
“過去”和“未來”支配著“現在”，但“現在”也“創造”著“過去”和“未來”——
“現在”不僅“創造”著“未來”，其實也“創造”著“過去”，
因為“現在”看上去就是“過去”。“過去”和“未來”不僅使“現在”“隱藏”起來，而且也使“現在”顯現出來。
A room about 20
square meters was moved into the exhibition hall. It included television,
table, sofa, refrigerator, bed, and other simple furniture, DVD, books,
lipstick, perfume, honey and other supplies, paint, electric saw, electric drill,
scissors and other tools.The key which could be got by the audience during the
exhibition was hanged at the entrance. They could do anything inside the room,
including rest or change the room. There was no supervisory equipment inside
the room.
From 7 of Sep,2008
to 12 of Oct,2008, took a picture to record the changes inside the room.
When the audience
took the key to enter a room where they had never been to, saw and felt the
breath and traces left by the previous person, they had a feeling of breaking
into other people’s inner feel. The room carried the most intimate writing in
the live. People could change the existence, but also could leave new traces.
Since all “marks” would be “hidden”, the “world” we were living was like a big
“book “, all the “writings” are overlapping together. What written after would
“cross out” or “delete “the previous, - masked up.
From the moment
they entered the space, the “present” was not simply “present”, it was the
“past” and the“future”. the “past” and the“future” nominated the “present”,
however, the “present” was creating the“past” and the“future” ——the “present”
was not only creating the“future” but also the “past” because the “present”
looked like the “past”. The“past” and the“future” not only “hid” the “present”,
but also presented the “present”.
